Musical Counterpoint in the Baroque and Classical Eras Counterpoint, according to the Encyclopedia Britannica, is the “art of combining different melodic lines in a musical composition. It is among the characteristic elements of Western musical practice” (Jackson). Counterpoint is very prevalent in Western music, from around the Renaissance Era to modern times, and has been common practice until the twentieth century (“Counterpoint”). From the Renaissance era to the Classical era, counterpoint has had the same general principles and structures, been utilized by great composers, such as Bach, Mozart, and Beethoven, and resulted in some of the most beautiful music. The guidelines of counterpoint, while having increased in freeness over …show more content…
Irene Girton states, “In the first species, each note in the underlying melody is accompanied by a single note in the new contrapuntal line with consonant harmonic intervals” (Girton). Essentially, the second line must match the rhythm of the first line and avoid dissonances. The second species, according to Girton, introduces harmonic dissonance in the form of a passing tone of the second line, so for every note of the original line, there are two notes in the new line (Girton). Next, the third species permits four notes contrapuntal notes against one, and “presents more complicated and challenging problems” (Girton). For example, a four quarter note line against a whole note will be difficult to reach a goal because of the increased possibility of dissonance. For the fourth species, Girton explains, “the Fourth species, like second species, permits two notes against one, but with a suspension figure” (Girton). This means that there can be a dissonance on the first beat that resolves on the second contrapuntal note. The last species to master before allowing free counterpoint encourages mixed rhythmic values in the contrapuntal line, with possible embellishment (ornamentation) or other elaborations (Girton). As one masters each species, the created contrapuntal lines become more dissonant and complex, thus increasing both the complication of the music
Bach’s polyphonic music is full of counterpoint, the combining of two or more melodic lines into a meaningful whole. He perfected the art of the fugue, a complex composition usually written for four musical lines. “Bach’s fugues involved incredibly complex melodies that, even though they started at different times, wound up sounding good together.” The one I chose to describe is the first prelude and fugue from Bach’s second book, in the key of C major.
The Classical time period, which spanned a length of seventy years, from 1750 to 1820, was very different in nature from its predecessor, the Baroque time period. The Baroque era featured works that were ornamentally elaborate, where the artists and composers centered their works on a big, bold style that was dramatic in its composition. Artists and composers transferred strong feelings of tension and emotion into their works and it was common for there to be some type of action or movement happening within the work. Those who lived in the Classical time period, valued simplicity and wanted to return to the ideals of the Greeks. Therefore, the Classical time period is characterized by clear structural clarity, simplicity, smoothness, and symmetry. However, though the works took a step back from the grand movement of the Baroque era, the composers and artists of the Classical time period did lay out a tuneful and elegant style in their music and art. Out of the Classical era came many renowned artists and composers, two of those whom are artist Sir Thomas Lawrence and composer Ludwig van Beethoven (“NYU”).
The Baroque and Classical periods are where we see the emergence of renowned composers like Handel, Bach, Vivaldi, Mozart and Beethoven. The music from these famous composers are some of the world’s most recognizable and beautiful classics of all time. Music of these eras are still being used in many of today’s movies and commercials. Musical characteristics developed from these eras are still used and heard presently in popular music.
The term Baroque has been widely acknowledged as a period in Western European Art Music lasting for 150 years from early 17th to mid-18th century. The word itself is originated from barroco in Portuguese meaning “oddly shaped pearl”, which best describes the visual and details of the buildings existed during that period. Its flamboyant and ornate details of the building is what causes ornamentations and harpsichords to become an essential element of Baroque music. Bach, ornamentation, and harpsichord are few of the most recognisable elements of Western Art music during the Baroque period. Nonetheless, we all came to a second realisation that the Baroque era lasted for more than 150 years, meaning that it has its own remarkable history and
Sancho’s expressive genius in working counterpoint was a clear indication of his understanding and using every resource of musical language in the classical era. He would weave several musical lines of melodies to one musical piece. Sancho was one of the many supreme masters of this difficult compositional skill; as his influences were greatly shown through several of his pieces. His works incorporated and displayed various unique properties of construction and tone quality in order to perfect his compositions. This was a great characteristic of the musical styles of the classical
Thus, in Italy the word “concerto” in its earliest form, was not a term only for purely instrumental music, but rather one for mixed groups of voices and instruments together. The concerto then evolved into something rather different than what it was first considered. It’s evolution turned into something in which both display and virtuosity soon assumed an ever-increasing dominance (Anderson 13).
•Counterpoint—a very complex and rule-bound type of polyphony in which the resulting harmony provides the tonal organization for the music—is used extensively.
During the Baroque period, instrumental music was written for every conceivable size of ensemble. On the smaller side, the Baroque sonata offers one of the finest examples of chamber music. Two types of sonata are found during this period: the sonata da chiesa (church sonata), and the sonata da camera (chamber sonata). The sonata da chiesa was more somber, while the sonata da camera was, much like the suite, usually comprised of dance forms. The gigue from Corelli's Sonata for 2 violins and lute is a fine example of the sonata da camera
The scientific revolution is traditionally considered to be framed between 1543—the year of On the revolutions of the heavenly spheres by Nicolaus
Judging by the name of the composition, this work is representative of the diversity and vivacity found in modern day Manhattan. This composition belongs to Reich’s Counterpoint sequence, which includes Vermont Counterpoint and Electric Counterpoint, which were written for flute and electric guitar, respectively. Each piece in this series was composed for a solo instrument, which is then accompanied by a varying number of recordings featuring the same instrument. The final result is comparable to Reich’s layering of sounds in his earlier phase music compositions. New York Counterpoint was written in 1985 and was dedicated to clarinetist Richard Stolzman. It contains three movements: fast, slow, fast, each played attaca. The first movement of the composition is suggestive of Reich’s several earlier works. The opening ostinato in the first movement reminds the listener of Reich’s Music for 18 Musicians. Also, Reich’s usage of repeated and interlocking melodic patterns suggests of a similar idea found in his Violin Phase that was written in 1967. New York Counterpoint is particularly known for its acoustic replication of electronic sounds, which represent many street noises present in the Big Apple. The work is also considered one of Reich’s most rhythmically complex
The Baroque time period was a time of artistic style extravagant motion and clear, simply interpreted detail to produce drama, tension, excitement, and magnificence in sculpture, painting, architecture, literature, dance, theater, and music. Opera is an arrangement in which singers and musicians perform a dramatic work combining libretto (text) and musical score, typically in a theatrical setting. Opera came out of the baroque period of people wanting to make music that was more expressive. A group of people in Italy decided that a single line of melody with simple accompaniment would be much more expressive than words. This caused the creation of recitatives, which early operas consisted entirely of. This also caused arias, duets, and
Music has been categorized over time in different periods, each of which have their own characteristics, composers and music style. Two of those important periods were baroque and romantic, which had left an important musical legacy though history. The baroque was the period from about 1600 to 1750. It was called one of the best periods of the music history, because there was a huge change from the style of composition from antique and renaissance music which achieved great expectations about this music. Furthermore, Baroque music was written by great composers such as Bach, Handel, Rameau and Vivaldi who were the most representative composers of the period. In addition, Baroque music was characterized
The Baroque Period (1600-1750) was mainly a period of newly discovered ideas. From major new innovations in science, to vivid changes in geography, people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach, Handel, Vivaldi, and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today, and is a treasured discovery of outstanding compositions being reiterated with every performance of them.
In 1600 a new style of music began to evolve, this form of music was
At this time last year, I would have considered all music before the 20th century to be classical. However, after taking a Dual Credit Music Appreciation course, I realized that “old” music cannot simply be grouped into a single category. There are so many differences that I had no idea existed. Throughout the years, music has changed and evolved, meeting the needs of listeners and performers. Different composers have been catalysts in this change as they have developed new styles and genres. Even though the classical period is directly subsequent of the baroque period, baroque and classical music have countless different qualities and characteristics.