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Literary Analysis Of The Lottery By Shirley Jackson

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Shirley Jackson is to be considered one of the best authors of the 1900’s. Her style of writing reeled in readers from all different ages. She can be creepy, hilarious, and inspiring to the eyes that see her words. In Shirley Jackson’s short story, The Lottery, she keeps the reader on the edge of their seat wanting to continue reading beyond the final word. She uses literary devices to shape her story to grab her readers attention all throughout the story. By using these literary devices, Shirley Jackson shows off her dark and twisted side as well as her fantastic writing style to emphasize why she is one of the writers of her generation. Society today sees the lottery as an easy way to win a ginormous amount of cash just by buying a little slip of paper with a combination of numbers. The irony that Shirley Jackson uses in her short story, The Lottery, is used to the extreme by not only the title being ironic, but also within the story. The lottery is seen as a way to gain cash, but the ironic part of the title is that the reader sees it and thinks that the story will be about someone winning a big prize, yet the winner is sentenced to being stoned to death. Within the story, Shirley Jackson writes about how one member of the community ultimately chooses who wins the lottery. Another ironic thing about someone chooses the winner is that one of the communities sons picked his own father to win the lottery. Linda Wagner-Martin analyzes The Lottery and its irony by writing, “Bringing in the small children as she does, from early in the story (they are gathering stones, piling them up where they will be handy, and participating in the ritual as if it were a kind of play), creates a poignance not only for the death of Tessie the mother, but for the sympathy the crowd gives to the youngest Hutchinson, little Dave. Having the child draw his own slip of paper from the box reinforces the normality of the occasion, and thereby adds to Jackson's irony. It is family members, women and children, and fellow residents who are being killed through this orderly, ritualized process. As Jackson herself once wrote, "I hoped, by setting a particularly brutal ancient rite in the present and in my own village, to shock the story's

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