The Woman in Black (TWIB) is a story about isolated people in an isolated place. Not least TWIB before she died. Janet Humfrye was isolated by her plight as a mother of an illegitimate child, which was frowned upon by society in the early 20th century when the story is set. Even the town’s people of Crithin Gifford were isolated on the marshes and almost described as though they lived in another dimension, another part of the world set apart from the rest of society. The sense of isolation runs like a thread right through the whole book. Hill does this by creating vivid pictures in the reader’s mind. She uses detailed descriptions or imagery with frequent use of metaphor, simili and personification techniques. She also uses short and …show more content…
In the journey North, Arthur KIpps (AK) expresses his sense of isolation when the branch line train to Crithin Gifford has stopped to wait for a passing train. “I tried not to sound concerned but was feeling an unpleasant sensation of being isolated, far from any human dwelling and trapped in this cold tomb of a railway carriage.” Here Hill has used a metaphor by describing the train carriage as a cold tomb which gives a sense of forboding and forshadowing of death as well as isolation. The sighting s of TWIB at the funeral gives a picture of a lonely isolated figure. She appears and disappears without trace and stands away from the proceedings. The details of her appearance by Kipps also adds to this sense of her isolation. “only the thinnest layer of flesh was tautly stretched and strained across her face.” In across the Causeway Hill uses the effect of sound throughout the chapter to create a sense of splendour and Isolation. “The only sounds I could hear above the trotting of the pony’s hooves and the rumble of the wheels and the creek of the cart were sudden harsh weird cries from birds near and far.” Kipps description of his journey across the Causeway adds to a sense of isolation. “Emptiness stretching for miles, the sense of space, the vastness of the sky above, passing no farm or cottage, no kind of dwelling house at all in three miles. All was emptiness.” The description of Eel Marsh house also adds to a sense of
“a mountain/within which a cave/where was heard/a stream’s faint murmur/ and seen the mirrored glance/ of an iridescent bird’s/luminous eyes/a cave/across the ridged walls/of which gallops and flickers/a herd of elk/ and on the sandy/floor beneath the feathers of firelight” (24).
“James,” he says. We begin walking where there is a bundle of people and he looks concerned. “How about I send you to the sheriff’s station? They will surely help you out,” he says. “If it will help,” I say. The chirping of birds seems to follow me, it triggers a memory of home. When Mama and I would take short walks through the meadow behind our home. Whistling along with the bird's melody is what we did. Back then, I had no worries at all. Now, all I have is worries.
Blackman has created a world of her own to contrast the society we live in,
“There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land…I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it. I did not believe that my dead father and mother were watching me from up there; they would still be looking for me at the sheep-fold down by the creek…. I had left even their spirits behind me. The wagon jolted on, carrying me I knew not whither. I don't think I was homesick. If we never arrived anywhere, it did not matter. Between that earth and that sky I felt erased, blotted out. I did not say my prayers that night: here, I felt, what would be would be.” This new surrounding is the beginning of an adventure for
His next remark, "Standing on the bare ground, - my head bathed by the blithe air and uplifted into infinite space, - all mean egotism vanishes." He feels free of the bars society has constructed, he is free of all concerns and worries. the "infinite space" he describes indicates a place with no restrictions, where he can be as he ought to, to see the glory and majesty of nature. Emerson also notes that selfishness dissolves as the figurative big picture is made visible. Again, being in this situation enables a man to realize his insignificance as a single being.
Endless nothingness scrolled for miles, blackened and dark. No force weighed him down, the constant humming of the universe filling his ears. No matter how hard he tried to open his eyes, however, they wouldn't budge. No matter how hard he tried to move, his muscles locked up. No matter how hard he tried to breath, think, feel, he just... couldn't. Dread would start to settle in, but no matter how it tried to break through, only apathy took it's place. Waves of emptiness crashed into him, swirled around him without end. The spray of dread slipped off as soon as it hit, drenching his clothing, but not his skin, not his body. Nothing seemed to matter. Nothing did matter- matter didn't even exist here. Lightyears of pure darkness, not an inch of light, not a ray of happiness, life, could break the darkness.
This problem is especially acute for black women, both writers seem to be saying, because the structures neither of society nor of formal religion provide this grounding. Janie finds it by being true to her own poetic, creative consciousness; in The Color Purple Walker's characters discover it through the strength and wisdom available in the community of women.
The plot, or basic storyline, of this short story is about a black woman, Annie Johnson, based in the United States before 1905. Her marriage had collapsed due to her husband leaving her to pursue religion in Oklahoma and leaving her with very little money. The plotline develops on to show her struggle to support herself and her two sons and how she has to use courage to support herself and her family.
Society has always thought of racism as a war given to the lowly African American from the supposedly high class white man, but no one thought there would be prejudice within a hierarchical class system inside the black community. However within that class system, history has shown that darker colored women are at the deep trenches of the totem pole. In the novel, “Their Eyes Were Watching God,” African American women are put under harm and control exposing the racism and sexism with their community. Through the life of Janie Crawford, Zora Neale Hurston portrays the concept of a woman finding her independence in a black, hierarchical, and racist society.
From the book: I was walking in a cemetery, among stiffened corpses, logs of wood. Not a cry of distress, not a groan, nothing but a mass agony, in silence. No one asked anyone else for help. You died because you had to die. There was no fuss. In every stiffened corpse I saw myself. And soon I should not even see them; I should be one of them-a matter of hours.
During this time period literature had a dominance of black women writers. Their writings focused on five major traits: dominance of black women writers, intertextuality, revisiting the past, reoccurrence of historiography, and broadening of horizons. Among the major writers only one was a male. The intertextuality circled around repeat writing, the response and revision of earlier themes and motifs. Each period adds to the existing one by utilizing new contexts to literature, themes and style.
By the end of Wallace Thurman’s novel, “The Blacker the Berry,” the main character Emma Lou has a revelation about herself. Her whole life she thought her dark skin color prevented her from good opportunities. She was hyper-sensitive towards her color and tried to make up for it by fitting in with the right type of people. She has economic freedom and have fit in with the right type of people. Emma was desperate to fit in with type of people that treated her inferiorly, but once she came to terms with the strength of her African American background, she is able to identify with who she is, a black woman.
So much had changed in so little time. As of yesterday and today, we have been on a train with no food and water. I couldn’t think of anything possibly worse than this. Throughout the night, Madame Schafter, a quiet, kind mother, howled all night about a fire which only she could see, which scared me. If someone so calm and level headed was hallucinating, what was I? “‘Look! Look at this fire! This terrible fire!’” (Wiesel 25). What fire was she talking about? Was she talking about the h*ll we were enduring on the cattle car? I had heard rumors that there were crematories wherever we were going, if they were even true. Men in the cattle car tied her up and gagged her, and eventually beat her into silence (Wiesel 26). Although I pitied Madame Schafter, her screaming was driving me crazy, and I too felt the urge to slap her across the face, anything to silence the screaming. I guess that as of now, thinking straight is out of the question. Little did I know that thinking straight would be out of the question for a very long time.
Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.
Isolation is a unique experience that is explored throughout “Billy Budd”. Claggart, Billy and The Dansker go through isolation and loneliness in the play, because of their own actions and decisions. It is dramatically reflected through the use of setting, where the HMS “Indomitable” is surrounded by nothing but water, creating an image of the ship’s isolation. It also houses the crewmen, and provides the implication