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Gods Of Egypt: A Hero's Failure

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In the grand scheme of things – and call my crazy if you must – but heroic, sand-based movies don’t seem to be doing very well as of late. Films like the Hercules remake, Pompeii, and Exodus: Gods and Kings have each come and gone, and left quite a lot to be desire – in terms of production quality, acting, and final product. True, those particular films performed averagely at the box office, but they were far from monster hits. Films of that nature aren’t made on cheap production budgets, either – relying heavily on wild CGI budgets. And it begs the question: why do movies like this continue to be made when they have such a high risk of failure? Didn’t anyone learn anything after recent flops of Fantastic Four, 47 Ronin or Seventh Son? …show more content…

It quickly establishes a hero, a villain, and an anti-hero that requires a push to get him back on his horse (so to speak). Narratives of the this nature have been used throughout time, making the utilized subject matters anything but original. That said, this story and the characters within it never stood a chance - and you can thank whoever decided to embrace the endless use of CGI for the film’s failure. If nothing else, Gods of Egypt presents undeniable proof that visual effects have come a long way. With that said, it’s entirely possible Gods of Egypt is also proof that visual effects should be used for good, not evil. Prequel Star Wars detractors would likely tend to agree – that heavy CGI usage can be the kiss of death, not just to the quality of film, but more importantly, to the substance within the film. This story has two central characters - one of which is portrayed by Nikolaj Coster-Waldau and the other Brenton Thwaites. For those that live under a rock, Coster-Waldau is best known for his role as Jaime Lannister in HBO’s monster hit, Game of Thrones - and with Jaime being such a wonderfully played character, Coster-Waldau understandably adds a significant amount of spice to the role of …show more content…

Honestly, you can’t blame any of the actors involved with this film - who I swear were only a part of it for a paycheck. When you’re asked to spending nearly every second acting against a green screen, it’s bound to capsize a performance. That said, it’s impossible not to point the finger at director Alex Proyas, who is no stranger to pulling the strings behind dark and dreary movies. Still, had Gods of Egypt been shot sensibly, like The Crow, perhaps the outcome would have been better. In the end, Gods of Egypt isn’t horrible, but it’s definitely not good. This is a film that will be thrown into a pile of failed examples proving that CGI-heavy productions are a bane to the cinematic experience. Sure, you can use visual effects - but don’t let a movie be defined by them. The end result will be a poor box office showing and a stain on the career of anyone

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