Emotional Devices And Diction In Araby By James Joyce

The short story “Araby” is clearly identifiable as the work of James Joyce. His vocalized ambition of acquainting fellow Irish natives with the true temperament of his homeland is apparent throughout the story. Joyce’s painstakingly precise writing style can be observed throughout “Araby” as well. Roman Catholicism, which played a heavy role in Joyce’s life, also does so in the story which is another aspect which makes Joyce’s authorship of the story unmistakable. As a result of Irish heritage displayed in “Araby” along with evidence of Joyce’s unmistakable writing style throughout and the role of Catholicism in the story, “Araby” is instantly recognizable as the work of James Joyce.

In the short story “Araby,” James Joyce uses religion to give a the story deeper meaning. The narrator of the story finds himself in a confusing love that is unrealistic and distorted. In “Araby,” Joyce uses an underlying theme of religion to portray a confusing admiration that is brought to a twisted end.

Through admirable pieces of written work that have stood the test of time, skillful authors have demonstrated imagery to be effective when used to create a desired mood, tone or atmosphere. In “Araby”, by James Joyce, the use of imagery to reveal the protagonist's feelings and state of mind, emphasizes the theme of fantasy versus reality. The effective use of the literary element in the description of the boy’s dark life, his infatuation for Mangan’s sister, and his epiphany at the Araby bazaar most prominently exhibits the theme.

The story Araby, by James Joyce, initially appears to be an endearing love story about a boy and his crush. However, the story deviates from its original course and ends up with the boy having an epiphany that he has been wasting his time by pining for the girl and that his original thoughts about life aren’t as rosy as he once believed. The theme of this story deals with darkness and light both literally and figuratively. The description that Joyce uses plays into the theme of the story and aids in the narrator’s epiphany.

In Araby, Joyce highlights a young boy who describes the North Dublin Street where he lives in a house with his aunt and uncle. The narrator recalls when he and his friends used to run through the dark muddy lanes of the house to avoid his uncle or when Mangan’s sister came out on the doorstep to call her brother in to his tea. He is obsessed with the young girl: whose brown figure was defined by the light from the half-opened door.” Her dress swung as she moved he body, and the soft rope of her hair tossed from side to side”. He also talks about the previous owner of the house, a priest who died leaving in the back-drawing room some books that he sometimes took a glance at. For the narrator, every day starts when he observes her as she steps out the house and walks quietly behind her on their way to school until finally passing her when their ways diverged . The theme for Araby is disappointment and frustration.

In his short story "Araby," James Joyce brilliantly illustrates a young boy experiencing an epiphany through imagery, theme, and irony. Being the fact that this story might have resembled the author's own childhood experiences, he is able to portray his disillusionment of the world through a young boy living a practically sheltered life.

James Joyce’s “Araby” is a medieval romance set in Dublin, Ireland. As we are introduced to the story, Joyce describes the setting that takes place through the eyes of the young protagonist who remains nameless throughout the entire story. The young boy who begins by describes his home on North Richmond Street, and we get a feel of how it was growing up in Dublin during this time in which their culture was oppressed by Catholicism. The age of the young boy can be widely debated, we are provided with subtle hints throughout his introduction. We assume the boy is between twelve and fifteen due to him playing childish games “The career of our play brought us through the dark muddy lanes behind the houses, where we ran the gauntlet of the rough tribes from the

Throughout James Joyce’s short story, “Araby,” Joyce incorporates a number of startling and depressing images by telling a story about a young boy who is madly in love with Mangan’s sister. Joyce begins the story by describing the dreary setting of the house that the narrator lives in, thus establishing the gloomy, pessimistic tone. He then goes on to introduce the narrator’s obsession with Mangan’s sister. The young boy watched the love of his life, his soul mate, from afar, and rarely exchanged anything but a few words with her. Suddenly all of his desperate longing for her love changed the day she asked the young boy if he would go to the bazaar for her since she could not attend.

On the simplest level, “Araby” is a story about a young boy’s first love and his quest for the ideal. He has a crush on his friend’s sister and his quest to fulfill a promise he made to her. The promise that is made is that he will bring her a present from Araby, a bazaar. He is granted permission from his uncle; however his uncle comes home late on the day of the bazaar making it hard for the boy to get to Araby before it close. When he finally arrives he discovers it is too late to buy anything. Thus, the quest ends in failure. On the deeper level, the failure results in an inner awareness and a first step into adult world. The protagonist faces up the harsh reality for which his precious experience has not prepared for him. The

James Joyce’s narrative “Araby”, contains many microcosmic ideals. The narrative describes, in relation to the Dublin, Ireland of the period, maturity, pubescence, and public life. A.R. Coulthard stated that “Araby” is not a tale a young person’s initiation into adulthood but a “… dramatization of a soul-shriveling Irish asceticism which renders hopes and dreams not only foolish, but sinful.”(97). Coulthard chooses to focus plainly on the religious aspect of the tale and forgo the classic example of a coming of age story.

“Araby” is a short fiction about an adolescent boy who resided in Dublin, Ireland in 1984 under the British rule. The protagonist of this story is a twelve-year-old boy who lived with his uncle and aunt in a house on the North Richmond Street with a dead end. During winter, the boys used to play in the muddy street of that area but whenever the uncle arrived, Mangan a boy from the neighborhood instructed her sister to give a heads up in order to not get in trouble. Eventually the boy began to have feelings for Mangan’s sister, which he couldn’t express even though he barely knew her. James Joyce’s in his short fiction using imagery, alliteration, epiphany and simile, which portrays the emotions of a naive schoolboy whose infatuation for a young girl leads him to make a trip to the

James Joyce, an Irish novelist, wrote fifteen short stories that depict Irish middle class life in Dublin, Ireland during the early years of the twentieth century. He entitled the compilation of these short stories Dubliners. The protagonist in each of these stories, shares a desire for change. This common interest motivates the protagonist and helps them to move forward in their lives. Additionally, the protagonist has an epiphany, or moment of realization or transformation. In “Araby”, the narrator is an unnamed boy who has these same experiences. He deals with the mundane life of living in Dublin, Irealnd which causes him to desire change. When the narrator finally begins to experience changes in his life caused by the love he discovers, he has an epiphany that allows him to realize the reality of the environment which he belongs to. This essay will analysis the characters actions and feelings to the readers the naivety of boyhood desires and the actuality of love.

In the short story, “Araby,” James Joyce, an Irish novelist and poet, establishes a key theme of frustration in the first-person narrative as he deals with the limits imposed on him by his situation. The protagonist is an unnamed boy, along with a classic crush on his friend’s sister. Because of this, he travels to a bazaar (also known as a world fair) called Araby, where he ultimately faces his juvenile actions. The ideas Joyce encourages with this story revolve on how the boy reacts to these emotions and this romance he has, while in the end facing tragedy. Joyce spends most of the time introducing the thoughts of the boy about the area he lives, as well as his lifestyle. He builds up the protagonist’s hatred while also showing us what exactly

Written by one of the best writers in the modernist era in the 20th century, a great story by the name of ‘’Araby’’ emerges. This great short novel was written by James Joyce. In the story Araby, Joyce’s main focal point is the young man who portrays where he lives in North Dublin Street with his family who is his uncle and aunt in a household. The author reminisces the time when he used to run with his friends throughout ‘’the dark muddy lanes of the house to avoid his uncle or when Mangan’s sister came out on the doorstep to call her brother in to his tea’’ (Joyce 243). The young man is obsessed and deeply in love with the young girl, who’s her appearance was well-defined by the light from the door half way opened ‘’Her dress swung as she moved he body, and the soft rope of her hair tossed from side to side”(Joyce 243). The author also mentions about the previous house owner, a priest who passed away and left in the back-drawing room several books that he occasionally took a glance at. The young boy’s dominant personality trait is his determination. This results in disappointment and frustration as portrayed by James Joyce in Araby.

     Passion, adolescence, foolishness, and maturity are the first words that come to one’s mind to describe James Joyce’s short story, “Araby.” In it, he writes about a boy who falls deeply in love with his best friend’s sister, who through the story, doesn’t seem to notice him or care about him. The boy, who has yet to be named, lives in a poor and run-down town. During the story, certain characters contribute to the boy’s developing sense of maturity, and eventually, lead him into adulthood. Mangan’s sister, the boy’s uncle, the priest, and the girl at the bazaar all serve the purpose of molding the boy into a mature person.