Darkness In Masque Of The Red Death And Minister's Black Veil

Throughout his literary endeavors, Nathaniel Hawthorne utilizes symbolism to present a certain theme that pertains to human nature and life. In his works, The Scarlet Letter and "The Minister's Black Veil", Hawthorne uses symbolism to present a common theme pertaining to religion; that though manifested sin will ostracize a person from society, un-confessed sin will destroy the soul.

But we will never know the real reason. It could be because of William Shakespeare’s “Seven Ages of Men”, or Christianity’s seven deadly sins. There are more speculations, but my personal perception would be one of these two. Although Poe was not very religious in his later years, he went to church a lot when he was a child which could have influenced his stories. The vivid colors used in each room would lead me to assume that the rooms actually represent the stages of life. On the most eastern side (where the sun rises) would be infant, then the colors in-between would be your years after infancy, then lastly on the furthest western side (where the sun sets) would be death since the room is black.

Unnerving, spooky, disturbing, frightful… All common characteristics of a hauntingly terrific tale by the famous Edgar Allan Poe. His story “The Masque of the Red Death” brought a grotesque taste to the horror genre throughout the 19th century with the use of literary devices. To summarize, Poe’s story discussed, in detail, the horrifying inevitability of death, which reveal the value of a device known as symbolism used by Poe in this literary work. As people are familiar with, Poe’s psychological weaknesses spurred his creativity to which he poured his problems into Gothic Literature, and he produced these unforeseen symbols as pawns of his life. In this popular short story, subtle objects are manipulated to reflect Edgar Allan Poe’s misfortunes. Symbolism is used throughout his short years of living as a narrative device for his eerie publications. Within this composition, I will be justifying how Poe’s influence on the use of symbolism constructed a disturbed and almost misleading

In Steinbeck's Of Mice and Men, the imagery of light and dark is used to deepen the themes of the normal. Sometimes darkness or "light lifting" can mean more than one thing. In this essay I would explore this subject.

During the period of American Gothic literature, authors, such as Nathaniel Hawthorne and Edgar Allan Poe, incorporated the sinister perspective of the human nature in their writings. Both Hawthorne’s symbolic short story, “The Minister’s Black Veil”, and Poe’s violent fiction, “The Tell-Tale Heart”, demonstrate separation and symbolism throughout the course of each story. In Hawthorne’s story, the protagonist, Minister Hooper, decides to wear a black veil over his face and vows to never remove it. This vow continues to the point of his death. Mr. Hooper’s decision to wear the black veil consequently separates him from society. Hawthorne uses the veil to symbolize the human psyche and efforts to hide sins. In Poe’s story, the narrator is the caretaker of an old man with a blind eye. He describes his internal discomfort when he sees the eye, and later devises a plan to murder the old man. His separation from humanity due to the uneasy feeling of the old man’s pale, blind eye are shown through his efforts to commit murder.

Symbolism plays a major role in the “Minister’s Black Veil” by Nathaniel Hawthorne. It influences the setting of the story and it complements the moral message. The minister, Mr. Hooper, has a lot of faith and is very committed to helping the society to be more faithful and closer to God. He lives a very harsh live being rejected by society and goes through unpleasant moments to achieve his original goal. When he decides to wear the black veil, he was not trying to be mysterious and create a gloomy environment like he did; he had much more than that in mind. The Black Veil represents the thought of the puritans that sin was an inexcusable mistake, the secret sin and dark side in each individual, and he uses

All societies and people have secrets. Everyone has another side to them that they do not show in the eyes of the public. Hawthorne uses the symbol of darkness to show throughout his literary works that all people sin. Archetypally, darkness represents chaos, mystery, death, evil, fear. Darkness in the novel, The Scarlet Letter, shows the author's point of view on the Puritan society. Hawthorne’s use of archetypal symbolism of darkness to describe Puritans suggests Hawthorne’s view on Puritan society was anything but pure and that all societies should be less critical of their members.

Throughout the story Baldwin illustrates that darkness is approaching when he says, “And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside”(7). The darkness and light Baldwin describes works as cycle, similar to night and day, after light comes darkness and after darkness comes light. The pattern of darkness and light is painted to symbolize the cycle of suffering and salvation, showing without one the other cannot exist. It is how to achieve this balance of light and dark that the narrator struggles with throughout the story. The narrator witnesses many instances of darkness, when his daughter died he wrote, “I was sitting in the living-room in the dark, by myself, and I suddenly thought of Sonny. My trouble made his real”(14). This instance of darkness the narrator depicts shows that suffering hold a present everywhere, it’s universal, and people can cope with their suffering though relating to one another. Furthermore, the recurring idea of darkness throughout the story shows that suffering will always exist and it is a vital part of the human experience. However, one can find the light, escaping the darkness for a moment, through relating to one another and showing compassion. In essence, the symbols light and darkness are used to develop Baldwins theme that suffering is

The main character of “Minister’s Black Veil” by Nathaniel Hawthorne is a thirty-years-old parson Hooper who is wearing a black veil on his face. It does not seem much fun but more like it is strange and revolting to people in the story that parson Hooper is having a veil on the face. Why would the parson wear a veil?

Secondly, both Edgar Allan Poe and Nathaniel Hawthorne share a very similar tone through their writings that affects the perception of evil in their stories. For example, “And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror”(Poe, 11) represents a nervous, yet saddening tone presented by Allan Poe taking in consideration the repetition of a statement made by the main character in “The Tell-Tale Heart”. As well as Allan Poe, Hawthorne presents a mysterious gloomy tone where the minister’s veil makes the readers question themselves about the main purpose for using the piece of crape. An example of this gloomy and overwhelming mystery tone would be, “When Mr. Hooper came, the first thing that their eyes rested on was the same horrible black veil, which had added deeper gloom to the funeral, and could portend nothing but evil to the wedding” (Hawthorne, 11) letting the readers know that all of the villagers gathered at the funeral disliked the veil, for it only brought more mystery and sadness.

Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages

Although now seen as the father of the modern horror story, Edgar Allan Poe was previously viewed as a drunken failure. Within Poe’s writings much of his own life riddled with guilt, anxiety, alcohol, depression and death shines through resulting in works that appear unrelated yet once dissected prove similar. This is true for Poe’s works “The Raven” and “The Black Cat”. Poe’s examples of gothic fiction share the use of the color black and a rapid digression of the narrator 's sanity while seemingly unveiling Poe’s internal pain. Despite these similarities, Poe’s works also differ immensely. “The Black Cat” focuses around death while “The Raven” is fixed around discovering the reasoning for a bird 's arrival. Moreover, gothic themes seen within “The Raven” do not necessarily remain constant when compared to “The Black Cat”.

Melville, Poe, and Hawthorne all tend to focus on the darker side of humanity in their writings. In order to allow their readers to better understand their opinions, they often resort to using symbolism. Many times, those symbols take the form of darkness and light appearing throughout the story at appropriate times. A reader might wonder how light functions in the stories, and what it urges the reader to consider. If we look carefully at these appearances of light, or more likely the absence of it, we can gain some insight into what these "subversive romantics" consider to be the truth of humanity. Hawthorne uses this technique to its fullest; however, it is also very

Poe used the rooms of the fortress as a symbol of the progression of a human life. The fortresses design contains seven distinctly different rooms. H.H. Bell, Jr., an expert on Edgar Allan Poe, has suggested that Poe seems to represent these rooms as an “allegorical representation of Prince Prospero’s life span” (Bell 241). The greatest piece of evidence for this is the order in which Poe arranged the rooms. The first room is positioned in the far eastern side of the mansion and the last room’s placement resides in the far western side. Just as the sun rises in the east and sets in the west each day, the arrangement of the rooms suggests the beginning and the end of life. Poe exemplifies this idea with the coloration of the last room. Black, a color connected with night and death, covers the walls in the last room. Also, the color of red seeps through the stained glass windows representing the bloodiness often incorporated with death, particularly the Red Death so feared at this party. Prospero’s guests avoid the last room out of fear, just as the living avoid reminders of death. Meanwhile, music and dancing

Also in story “Tell-Tale Heart”, it has imagery to emphasize a dark tone. In the story the author stated “His room was as black as pitch with