Creon from Antigone Essay

Second, Creon’s faults brought an endless life of pain upon himself. He carried an easily describable tragic flaw. Of course, this defect is a vital trait of the tragic hero of any work. Creon’s flaw was that he was stubborn. I could not reason what Antigone’s tragic flaw could be. I believe that if Sophocles wanted Antigone to be the tragic heroine, he would have stated it more clearly in the story. I am convinced that she was simply a victim of Creon’s stubbornness, therefore leading her away from the role of the tragic heroine. I would simply consider her as a type of “puppet” character that Sophocles ingenuously used to emphasize Creon’s flaw. Creon’s defect brings misery to his life, for that his stubbornness indirectly kills Antigone, Haemon, and Eurydice. This, of course, fits the definition of a tragic hero. This can be easily reasoned by simply reading the work.

Antigone 's tragic flaw does not lead to her downfall, because of this Antigone does not meet the characteristic of reversal in fate otherwise known as a downfall. Creon’s pride is what causes Antigone 's death. For example when Teiresias tells Creon to let Antigone go and to give Polyneices a proper burial because the gods are upset he does not listen. Instead he says to Teiresias, "doddering fortune tellers...if your birds-if the great eagles of God himself- should carry him bit by bit to heaven, I would not yield"( 44- 47). Creon is insulting Teiresias, a respected prophet, and says that he wouldn 't do as Teiresias says even if the birds carried Polyneices body bit by bit to heaven. It is obvious that Creon is prideful because he has a high opinion of his superiority. This is shown when he refers to Teiresias, a highly respected prophet who has never been wrong, as

Haemon stated that his father had dishonored the gods by sending Antigone off to her death, but Creon responded by saying, “You, you soul of corruption, rotten through-/ woman’s accomplice!” (836-37) Creon refused to acknowledge his son’s point, therefore, not changing his mind on Antigone’s fate. In another scene, Creon showed his independence by refusing to listen to Tiresias’ prophecy. Knowing that Tiresias’ prophecies were never wrong, Creon still ignored him. Creon stated, “You and the whole breed of seers are mad for money!” (1171) He claimed that Tiresias was wrong, and he was doing the right thing. In this scene Creon showed his independence in a cruel manner by disrespecting Tiresias. Antigone and Creon both showed that they wanted to be independent. Antigone’s will to be independent ultimately caused her death, and Creon’s caused him to lose his son, niece, and wife.

Tragedy always involves human suffering, but not everyone who suffers is a Tragic Hero. According to Aristotle, there are five basic criteria that must be met for a character to be considered a Tragic Hero. Aristotle’s ideas about tragedy were recorded in his book of literacy theory titled Poetics. In it he has a great deal to say about the structure, purpose and intended effect of tragedy. His ideas have been adopted, disputed, expanded, and discussed for several centuries. In this essay, I will examine these criteria in regards to Antigone’s Creon, King of Thebes.

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.

“Then why delay? There’s nothing in your words that I enjoy—may that always be the case! And what I say displeases you as much. But where could I gain greater glory than setting my own brother in his grave? All those here would confirm this pleases them if their lips weren’t sealed by fear—being king, which offers all sorts of various benefits, means you can talk and act just as you wish.” (567-575) The way Antigone acts, what she says and what she thinks contrasts with Creon to the point where they had a major conflict. These conflicting motivations cause Creon to show a different side of himself, the new characteristics that were highlighted in Creon were anger, violence, and self-importance.

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

In the story “Antigone”, Sophocles shows Creon as a powerful kind ruler. Creon shows excellent intelligent reasoning for his laws and punishments. But Creon’s ego had control over him and leads him to his own downfall. He does not understand how bad his pride has hindered within him controlling his issues until Teiresias come and explain his prophecy but by then it is way too late for Creon. Everything Creon has done leads him to be a truly tragic character.

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition, Creon is the tragic hero of Antigone.

King Creon was a slave to the social and political order, and the power to execute the will of the state blinded him from human decency. The unyielding and vindictive act of sending Antigone to death, and indirectly his son and wife, proves his hunger for power led to his ultimate demise. This a crucial scene