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Consent Decree History

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Consent Decree history The decree allows PROs to grant a blanket license or a license to agree or pay on a per program basis. The decree also stops the discrimination of rates among PROs. It also grants the licensee, on request of the license and the licensee is able to use the work while the license is in progress. This decree created a system of equality, where publishers and songwriters an equally paid for the work. This system also creates a direct flow from performance shares to the songwriter without enforcing the un-recoupable payment not met by the songwriter (Davis). Process of Amending the Consent decree ASCAPs negotiations with new media in the 1950s have pushed the DOJ to be more in favor of enforcing the decree. In the 1950s, ASCAP saw an opportunity to use the new profitable medium, television, to help radio broadcasters preform music on their television stations. ASCAP offered license to broadcasters to perform music on the stations, but broadcaster had an unfair advantage it prices for those music selections. Broadcasters were treated unfairly and movie producers were treat unfair in negation between performance rights (NRB, MLC). …show more content…

During the silent film era, 1920s, motion picture theaters were given licenses for each live performance being played at the beginning of the show, but ASCAP didn’t offer them a blanket license to cover rights for future use. Long after sound was being put in to movies, which music was pre-recorded on the film, ASCAP gave licenses on a per-film bases, not giving the theater owners blanket licensing options to be considered. This lead to films that were given to theaters coverage for everything except for the music in the film (NRB,

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