Buildings And Buildings Of Art Gallery Of Ontario

A sophisticated house or dumpy gas station catches the eye for a moment then becomes lost amongst other thoughts. However, like the art in our homes, a building's purpose is not to be stared at like a museum painting. They influence the mood of those who occupy the space. Even for people who live far away, it creates a happy thoughtfulness that these places still exist in our throwaway

Time, from one person’s experience to another, from day to day, from emotion to emotion, varies more than the individuals who experience it. Yet time still can be measured. People, almost from the earth’s inception, have had a desire to regulate time. This is still seen today, with all the watches, phone clocks, wall clocks, analog clocks, digital clocks, grandfather clocks, atomic clocks, timers, and stopwatches. Unfortunately, while it is possible to measure the actual emissions from an atom’s atomic transition, it is impossible to measure time perception in different circumstances. Both the poem “Time Is”, and the statue “Father Time”, portray the integral role of time in humanity.

“Architecture should not be seen as representing a magical transition from the worldly to the heavenly, as had been implied by the Baroque Style, but rather as a medium that told nothing less than the story of the “origins” of mankind.” (Ching 610)

West Des Moines holds a wide range of structural appearances that possess different purposes and stand for different ideas. Variation sets buildings and its surrounding areas that are privately owned apart from those that are open to the public. Although, the significance behind structures may go into deeper meanings. Some hold specific purposes that involve religion while others stand to serve on more secular grounds. If we take the time to look around, we can discover how interior and exterior design conveys distinct meaning. By entering into these buildings, we may discover the diverse functions they serve in relation to structural engineering and unique aesthetics. The framework for centralized control within different societal environments

When thinking of buildings that were ahead of their time two come to mind the Chrysler Building and the Seagram Building. Both of these structures were built to withstand the elements of time and are still beautiful to this day. These buildings have been featured on the cover of magazines, tv shows and are modern marvels in today's society. Between the two buildings, one can not help but look at the similarities as well as the differences between the two. Today I want to discuss these differences as well as the similarities and go into greater detail on why these buildings are significant.

Leon Krier was criticised for publishing a costly monograph on Albert Speer’s architecture (1985)in which, while acknowledging the crimes of the Nazis and the man, Krier nonetheless claimed the book’s only subject and sole justification was “Classical architecture and the passion of building” (cited by Jaskot, ‘Architecture of Oppression’, 2000). Discuss this claim, the controversy and the issues (historical, philosophical and ethical and possibly others) they raise. Can architecture, Classical, Modern or otherwise, be autonomous from politics and valued independently of the circumstances of politics and history that adhere to it?

Architecture should be nurturing, responsive and alive, dynamically shifting spatial balances, organically expressive forms, subtly luminous colors and biologically healthy. To achieve such life-enhancing architecture, it has to address all the body senses simultaneously and fuse our image of self with experience of the world. By strengthening our sense of self and reality, architecture serves its all-important function of accommodation and

This essay will inform the contrasts of two very important art galleries built 9 years apart. The Guggenheim, 1943-59, was built solely for Solomon R, Guggenheim to exhibit his collection of both modern and contemporary art from around the world. This building in New York was said to be one of the architect’s most important public projects , the architect being Frank Lloyd Wright. The building that will be put into contrast with the Guggenheim is the Neue Nationalgalerie in Berlin, 1962-68. Mies Van der Rohe was asked to design this new gallery during the modernism period in an act to revive the city of Berlin after the war as part of

On his book on Modern Architecture, Curtis writes that modern architecture was faulted for it’s “supposed lack of ‘recognizable imagery’” towards the end of the 1970s. This statement supports the idea of Jencks’ double coding where architects must now make

Time perception is an old as well as a venerable theme in psychology. Importantly, psychology came from medicine and philosophy in 1800 (Gibbon 108). From this foundation, time perception grew to be a fundamental topic of interest to authors and researchers in these fields. The researchers had to investigate the aspects of time in the area of psychology. One of the vital relationships that were discussed is between physical and real-time. In 1920, the tide took another different turn. Behavioral psychologists in the US declared that it was not appropriate for psychologists to investigate such a topic (Gibbon 109). Nevertheless, the

Using the quote by Habermas as a starting point, select up to two buildings designed in the twentieth century and examine what ‘sudden, shocking encounters’ they have encountered, or created. Analyse the building’s meanings as a demonstration of an avant-garde, or potentially arriere-garde, position.

As suggested by the title, this piece of literature attempts to highlight the importance of sensory experience in architecture. It is indeed a response to what the author terms as ‘ocularcentrism’ of Modern Architecture. Ocularcentrism is the act of prioritizing visual stimuli to all other sensory stimuli available to a human perception. He quotes famous German poet, Goethe, in his defense, “the hands want to see, the

Memories like these contain the deepest architectural experience that I know. They are the reservoirs of the architectural atmospheres and images that I explore in my work as an architect.

Contemporary architecture style requires the architects to design buildings that have both fascinating interior and exterior structures. Contemporary building plans are geometrical in shapes and are asymmetrical. These buildings have magnificent landscaping during design stage. They also have over-size windows as a transition between their outdoor and indoor spaces. The transition is seamlessly introduced by the architect through incorporation of a sliding glass doors between the streamlined decks and the outdoor

Architecture can be viewed with two different types of properties. Properties that can be seen like shapes, their composition, the spaces they create and, the colours and textures that make up their appearance. These properties are considered to be visual while other properties are considered to be abstract. These properties can only be described using words; the meanings behind the architecture and the stories that can be told about it. The context, its cultural background and its function also affects how we view architecture. The question is, what