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Analysis of Saint Judas

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The analysis of James Wright’s Saint Judas Saint Judas was written by James Wright at the end of the 60s. Considering the format this poem can be regarded as a traditional Petrarchan sonnet with a rhyme of ababcdcdefgefg; however, the content of this poem and the way it was written is different. In this poem James Wright tried to mix the dramatic monologue with the Petrarchan sonnet, which is usually written in poet’s tone. Instead in this poem, the speaker is Judas: this enables the revealing of his thoughts and actions directly to the reader, so as to enhance his temperament and character. The first half of the sonnet starts with Judas’s intention to suicide:” When I went out to kill myself, I caught/ A pack of hoodlums beating …show more content…

Readers are aware of this ambiguity. Here the heaviest flashback thoughts and the short-lasting issue set up a continuing contrast throughout the poem, which enchants its effect. Besides using certain rhythmic devices to create the fragrant timeline of the poem, James Wright also uses other rhythmic devices for different purposes. These details finally established a subtle rhyme scheme. For example, the only use of alliteration in the poem is third line’s “spare his suffering”, where the “suffering” seems to be really spared by its initial consonant sounds. In the thirteenth line, “flesh” and “flayed” connect the two sentences, enabling a much more smooth tone of the last sentence with a feeling of a tragedy ending. Some consonances are also interesting. Besides what have already been mentioned before, “victim beaten” in ninth line uses the “en” sound to imitate the stuffy voice of beating someone. Assonance is also used in the twelfth line “ when I remembered bread my flesh had eaten”; “ bread” here is used as a metaphor of Jesus, so along with this assonance, a relation ship between “bread” and “flesh” is clearly shown. When talking about rhymes, what James Wright did also adds more subtlety to the poem. Usually in a sonnet a nice formatted rhyme is already enough; however, James Wright tried to add counterpoint relationship to end-rhymes, making the whole poem more complex

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